Karoline Leavitt Homey Office Decor Screams ‘Live, Laugh, Lie’: Editor

Vanity Fair’s global editorial director Mark Guiducci delivered a pointed satirical jab at White House Press Secretary Karoline Leavitt’s office aesthetic in a companion piece to the magazine’s explosive profile of Chief of Staff Susie Wiles, describing her workspace as evoking a “Live, Laugh, Lie” vibe amid the administration’s ongoing battles with fact-checkers.

The commentary, embedded in a behind-the-scenes recounting of the photo shoot, highlighted the contrast between Leavitt’s cozy decor and her reputation for delivering contested statements from the briefing room podium.

The 28-year-old Leavitt, the youngest press secretary in history, has become a polarizing figure for her aggressive defense of President Donald Trump, often clashing with reporters over economic claims, policy details, and personal attacks.

Guiducci’s observations—part of a team effort involving photographer Christopher Anderson, deputy editor Claire Howorth, global creative director Jennifer Pastore, assistants Benjamin Coppola and Trip Peters, and interviewer Chris Whipple—offered a rare glimpse into the West Wing’s personal spaces while showing perceived ironies.

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‘Homey’ Office with Pointed Symbolism

Guiducci wrote that “Karoline Leavitt was ready for us,” noting her transformative impact on the briefing room: “Leavitt has brought revolution to the White House press briefing room, prevaricating on everything from tariffs and soybean sales to condom contracts and Tylenol.”

He then turned to the decor, painting a picture of cultivated domesticity: a working fireplace tended by a uniformed guard, an American flag throw blanket, and seasonal pumpkin pillows. The setup, Guiducci quipped, “invoked a certain ‘Live, Laugh, Lie’ homeyness”—a play on the ubiquitous “Live, Laugh, Love” motif, twisting it to critique Leavitt’s frequent disputes with factual accuracy.

On her desk: a Stanley cup, a floral coffee mug, and a pink calendar dispensing daily aphorisms. Below framed photos of Trump with Leavitt and her family sat a white orchid, a pink globe, and an open Bible turned to Proverbs 4: “Get wisdom at all costs.”

The biblical reference, in particular, invited unspoken irony given Leavitt’s role in amplifying administration narratives often challenged by independent verifications.

The editor’s aside appeared in a supplemental article detailing the logistics and atmosphere of the Wiles profile shoot—a piece already roiling the administration with Wiles’ candid remarks on Trump, Vance, and Musk.

Guiducci referenced “jokes about job security” and deliberations over including close aides, reflecting the high-stakes access granted to a magazine not typically aligned with Trumpworld.

The Leavitt dig fits Vanity Fair’s stylistic blend of glamour and sharp commentary, but it landed amid heightened sensitivity. The administration has aggressively pushed back against the Wiles series as “disingenuous” and context-stripped, with Wiles and Leavitt leading the charge.

Leavitt’s office—complete with fireplace attendant—reflects perks of her prominent position, while the personal touches (pumpkins, flag blanket, inspirational calendar) project an approachable, all-American persona. At 28, married with a young child, she often contrasts her youthful energy and family values with critics’ portrayals.

Yet, her briefings have drawn scrutiny for evasive answers and confrontational tone, earning comparisons to Trump’s “fake news” rhetoric. Fact-checkers have frequently flagged statements on economic data, policy impacts, and foreign affairs.

Guiducci’s “Live, Laugh, Lie” line—echoing online memes mocking motivational decor—amplifies that critique, suggesting a disconnect between the press secretary’s homey veneer and professional output.

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The White House has not commented specifically on Guiducci’s decor commentary, focusing rebuttals on the broader Wiles profile. Leavitt, in recent appearances, has continued praising internal unity and Trump’s achievements.

The snippet nonetheless adds to the cultural chatter around Leavitt: a rising star whose personal flair—from social media family posts to office pumpkins—coexists with a role defined by partisan warfare. In Vanity Fair’s lens, that juxtaposition yields satire; for critics, it shows broader questions about truth and presentation in the Trump era.